Reviews – Page 602 – Lollipop Magazine

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The Mushroom River Band – Music for the World Beyond – Review

April 1, 2001

The tunes are OK, the playing flawless, and the recording shakes a leg. Another band who could open for Monster Magnet and win over a bunch of their fans.

The Movielife – This Time Next Year – Review

April 1, 2001

A bit of youth crew gang vocals here, a splash of Lifetime melodies there, a crapload of power chords everywhere makes for quite a punch.

The Juliana Theory – Emotion is Dead – Review

April 1, 2001

Dressed to the nines and matched only by their flamboyantly melodramatic live struttings, The Juliana Theory contradicts themselves over and over again.

The Jealous Sound – Review

April 1, 2001

I’m very, very glad to see Blair Shehan (ex-Knapsack) back at it. After giving himself some much-deserved time off, Shehan is back with The Jealous Sound.

The Hives – Veni Vidi Vicious – Review

April 1, 2001

Swedish garage punk: Loud, distorted, fast, infectious. This is pure manic fun, mostly cuz they don’t give a shit if a few notes are missed along the way.

The Forgotten – Keep the Corpses Quiet – Review

April 1, 2001

Even those who aren’t fans of punk street anthems might dig this. There’s just a little something that takes it beyond the typical thuggery. Produced by Lars.

The Firebird Band – The Setting Sun and it’s Satellites – Review

April 1, 2001

Initially a side project for Braid’s Chris Broach, The Firebird Band has been creating drum machine-based, minimalist jangly rock since ’97.

The Explosion – Steal This – Review

April 1, 2001

It’s a return to the fast’n’furious punk roots, the kinda thing that made Boston a place that could release This is Boston, Not L.A. and not get laughed at.

The Dandy Warhols – Thirteen Tales from Urban Bohemia – Review

April 1, 2001

A mishmash of musical moods that would make excellent fodder for your own, more carefully devised mix tapes.

The Cutthroats 9 – Review

April 1, 2001

No catchy tunes here, but the songs are constructed to afford the rather massive guitar riffs maximum physical impact. This rocks, it slams, it bludgeons.

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