Reviews – Page 742 – Lollipop Magazine

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[ August 5, 2026 ] Hatebreed Announce Fatal Paradox and more 2026 Tour Dates – News News
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[ July 26, 2026 ] Muto Tapes – 9 to 5 – Music Stream Bands

Pro-Pain – Act of God – Review

June 1, 1999

Pro-Pain return with newfound energy. Ya gotta give these guys credit for stickin’ to their guns and pounding away at the same few chords.

Andrew Dice Clay – Filth – Review

June 1, 1999

15 minutes and a receding hairline later, the rhinestone-studded, black leather jacketed, neck-cracking, contorted, chain-smoking Bad Boy from Brooklyn is back.

Steel Prophet – Dark Hallucinations – Review

June 1, 1999

This reeks of the ’80s, unlike much of the new powermetal and heavy metal around these days. Equal parts mediocre thrash and wanking prog metal.

Dale Hawkins – Wildcat Tamer – Review

June 1, 1999

One could argue that “Susie Q” (which Hawkins has re-recorded for this record) was Dale Hawkins’ moment. If that’s the case it’s a helluva moment.

Indecision – To Live and Die in New York City – Review

June 1, 1999

Although new vocalist Artie Phillie (ex-Milhouse) takes a while to get used to (he gave up his spazz growls for a traditional roar), his voice fits in.

Static-X – Wisconsin Death Trip – Review

June 1, 1999

A pretty good new metal band with plenty of Korn, Sepultura, and just enough Goth metal extravagance/weirdness to attract tattooed and overly-pierced “freaks.”

Amorphis – Tuonela – Review

June 1, 1999

As Amorphis moved through the years, they became the ultimate slash band, moving through death/doom, doom/folk and folk/death/progressive.

Immortal – In The Heart of Winter – Review

June 1, 1999

Immortal have little in common with the atmospheric, keyboard-heavy style of fellow Norwegians. They favor a rawer, more brutal assault.

Mike Ness – Cheating at Solitaire – Review

June 1, 1999

Pounding drum beats, lazy-to-furious slide guitar, impeccable production, and the man’s scratchy vocal chordage.

Spock’s Beard – Day For Night – Review

June 1, 1999

A live and bouncy power chord/keyboard hybrid that sounds like heavy Yes mixed with Kansas, popped fresh with the creative hippy spirit of Phish.

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