Reviews – Page 775 – Lollipop Magazine

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[ August 5, 2026 ] Hatebreed Announce Fatal Paradox and more 2026 Tour Dates – News News
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[ July 26, 2026 ] Muto Tapes – 9 to 5 – Music Stream Bands

UFO – Walk on Water – Review

January 1, 1999

Walk on Water represents the reunion of the “original” (or, at least, the most famous) line-up of a band that found success in the mid-to-late ’70s.

Twin Obscenity – For Blood, Honour And Soil – Review

January 1, 1999

I still wonder how black metal got to be the sound of the Northern woods in winter, but it is not ours to question the corpsepaint.

Treiops Treyfid – Reach the Explosion! – Review

January 1, 1999

Treiops Treyfid was in a band I’ve never heard of (Pitchblende), but has friends in bands I have heard of (Tsunami, Delta 72, Air Miami, New Wet Kojak).

Thumb – Exposure – Review

January 1, 1999

Skateboard jock Claus Grabke’s powerful voice rages with a speed, intensity, and emotion that belies the German scene’s penchant for conceptual grunting.

The Sugarcubes – The Great Crossover Potential – Review

January 1, 1999

You know we were getting desperate for leper messiahs when we started looking for them in Reykjavik.

The Smugglers – Growing Up Smuggler: A Ten Year Anniversary Live Album – Review

January 1, 1999

Anglophile garage pop + Lookout! = it’s no wonder they had to go to Europe to make a live record.

The Smooths – No Brakes – Review

January 1, 1999

The Smooths have heavy (but not hardcore crunchy) guitar, loads of horns, subtle keyboards, and plenty of singable choruses.

The Murder City Devils – Empty Bottles Broken Hearts – Review

January 1, 1999

MCD fills Empty Bottles with more high-octane punk intoxicants than can be legally sold in the Bible Belt on Sundays.

Gilby Clarke – Rubber – Review

January 1, 1999

An amalgam of post-rock ride wisdoms rendered in guitar-fueled glam, smartly off base from the new pop, but coming from the same well.

The Lurkers – Greatest Hit – Review

January 1, 1999

The Lurkers, FYI, were first generation UK punkers, messy partiers like the Damned, but musically more deliberate.

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