Thirteen years ago, The Pastels ambled out of Glasgow with a charmingly awkward pop shimmy and some of the most out-of-tune vox to grace vinyl. They’re back.
Re-issue of five oldies from the eccentric uncle of New Zealand kiwi-pop, setting aside the noisier extremes in favor of one man, one living-room, one guitar.
Destroy finds Chevy continuing on their quest to reconfigure used rock ‘n’ roll parts into a brand new shambling beast, slouching towards Dystopia to be born.
A cheapo operation that throws in Spy’s old celeb-bashing tendencies, Mad’s joyously juvenile japery, and the sick feeling in the gut of National Lampoon.
The extended version of their ’88 live opus, recorded in Amsterdam in front of what sounds like an audience of three. Swallow this. It’ll make you fly.
Suicide “Frankie Teardrop”: As bleak as a Hubert Selby novel and kilos more visceral, this nerve-knotting meisterwerk is one of the scariest songs of all time.
Laurels play a peculiar brand of loud art-rock, so dark and powerful that it’s hardly a surprise that it’s been apportioned out mostly in the small doses.