Scott Hefflon – Page 67 – Lollipop Magazine

Cheeseburger – Review

January 1, 2007

Singer sometimes sounds like Danzig in rock mode, like a few of those mid-’90s rock bands Sub Pop signed when we thought they were gonna be a rock label again.

Chapstik – Barnburner – Review

January 1, 2007

A five-piece from Detroit, they play dirty, noisy, angry rock. Bio sez “as sleazy and contagious as a truckstop hooker.”

The Hope Conspiracy – Death Knows Your Name – Review

December 16, 2006

Add them to the short list with Most Precious Blood, If Hope Dies, Unearth, Diecast and a few other hardcore bands who are now worth listening to, finally.

Imogene – Review

December 15, 2006

Imogene should be from a hippy commune, the desert, the mountains. Some place where you can smoke up and jam with yer friends. But these guys are from L.A…

Destroy Destroy Destroy – Devour The Power – Review

December 15, 2006

Children of Bodom played to perfection, shrieking Cradle of Filth played to a (Manowar) tee. All the Viking lore played for your giggling, ironic amusement.

Motörhead – Kiss of Death – Review

December 15, 2006

The bio sez “death, taxes, and Motörhead,” and that’s about right. I dread yet another Motörhead release like I do tax season, but it’s never as bad as I think.

Mental Shrapnel: Vegetarian Porn – Column

December 12, 2006

Lollipop has a long history of making fun of stupid people, stupid trends, over-hyped movies, TV shows, bands, and anything else we see.

Bif Naked – Superbeautifulmonster – Review

December 8, 2006

No doubt there’s some sweet pop rock here, a teen girl-power anthem or two, and an nice lil cover of Metallica’s “Nothing Else Matters,” but it’s no I Bificus.

Angtoria – God Has A Plan For Us All – Review

December 8, 2006

Sarah Jezebel Deva has sung for Cradle of Filth, Therion, and others. She’d give the Evanescence chick a run for her diva status, but she’s, well, a chunky one.

The Flaming Sideburns – Back To The Grave – Review

December 8, 2006

Like The Hellacopter, they dig deep into the vintage soul and r&b styles, so they lose a lot of trendy “garage rock” fans cuz they don’t wear matching suits.