Lollipop Magazine

Saigon Kick – Devil In The Details – Review

December 1, 1995

Styles range from blues to ballads to swing to swagger to strut to an a cappella pretty-boy-barbershop intro to a NIN rip-off. Plus pianos, and Spanish guitars.

Roger Miller – Elemental Guitar – Review

December 1, 1995

Miller takes six strings and turns it into a paintbrush of unlimited colors. His palate goes beyond notes, due to the pedals he has at his disposal.

Porcupine Tree – The Sky Moves Sideways – Review

December 1, 1995

The sun scratches her way through the twisted branches of night. You must go back. You see the silver trail flowing behind you. Reluctantly, you reel it in.

Poe – Hello – Review

December 1, 1995

Hello is well-manicured, accessible femme eclectica that tries on styles like Salvation Army fatigues, overlaid with unlocked-diary imagery alternately potent.

Peach – II – Review

December 1, 1995

Another band from Seattle that sounds just like a band from Seattle. I’d throw some names around, but I don’t really want to.

Noise Box – Nuffnutz – Review

December 1, 1995

They call this terror tech, and it blends shock culture samples from Ice T, every Tarantino quote ever, and anything else with the word “motherfucker” in it.

My Own Victim – Burning Inside – Review

December 1, 1995

Beginning in ’90 as Human Remains, becoming Crawlspace in ’92, and finally maturing into My Own Victim in ’94/’95.

Mourning Sign – Review

December 1, 1995

A roar. Hyperspeed drumming. Lightning leads. Then the Entombed-esque chop and slash attack comes in with a dramatic burst of speed to break up the chugging.

Mind Over Four – Empty Hands – Review

December 1, 1995

Each tune is a little different from the last and they all kick ass. Hardcore, rock, rap, funk, cool samples, a wah-wah pedal, and assorted hilarious shit.

Milkmoney – Wheelie – Review

December 1, 1995

Milkmoney sound more like how your body feels after eating a visually satisfying meal without nutritional value.