With Rob Zamarki’s crooning and bullhorn shouts, and Emily Unverferht’s icy angel-turned-howling-banshee wails, Sweetie confuse as much as they entertain.
McCaughan’s slightly falsetto, river-of-angst vocals communicate suburban teen melancholy through a long, slow, dissonant wash reminiscent of empty classrooms.
Chloe Sweeney stomps and slithers all over the songs like bitch-in-a-bad-mood, spitting venom on everything and everything she comes into contact with.