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Bands

Xanax 25 – Denial Fest – Review

February 1, 1996

Heavy, moody pop with crashing guitars. Jaik Miller’s vocals on “Scary Dream Fade” are so overwhelmingly raw they raised the hair on the back of my neck.

Julian Cope – 20 Mothers – Review

February 1, 1996

In the late ’70s, he was the erratic, acid-gobbling genius who piloted the Teardrop Explodes to worldwide stardom, rockstar excess, and subsequent implosion.

Moonwater – Invitation – Review

February 1, 1996

“Give” has that love-groove thang that makes for a great stoner anthem. Trip rock is still a reputable sound and Moonwater does it well.

Underflowers – Review

February 1, 1996

Underflowers lean toward the subtle, swaying strains of Dead Can Dance with the rich, male voice of J. Orazi contrasting the gossamer vocals of Mia Chesta.

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MoonRage – Serengeti – Review

February 1, 1996

While singer Tye Battisistella has a warm, spiritual voice, the music is completely ignorable. This is uninspired metal that makes Danzig sound innovative.

Mile Wide – Review

February 1, 1996

An organic entity at the edge of sleep, twisting and shaping sounds like a grittier Can, strange shapes floating in the distance.

Uncle Jack – Shrink – Review

February 1, 1996

Tightly-crafted, filled with solos, chunky rhythms, and one of the better bassists in some time. The singer has a great range and a strong sense of harmony.

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