If you like tongue-in-cheek-loungelizard-pseudo-jazz, complete with crooning vocals, stand-up bass, xylophone, and sax, nobody does it better than Lars Vegas.
Korn merges rap and hardcore, a combo I’m not fond of. A very loud bass and faster, faster drums make good mosh music, but it’s not appropriate for my bedroom.
Their set was in keeping with the variety theme of the show – their style varied from rock to blues-funk type stuff, to reggae, including one twangy number.
Faith No More stand as one of the most creative, risk-taking bands around, while Mike Patton is one of the most entertaining, diverse talents of our generation.
Fireworks. Detuned bass. Distorted, violent synth noise. Every song lasts for 20 minutes, building to an orgasmic conclusion, and you wish they lasted longer.
One second it’s punky, driving pop, the next it’s noisy pop with dark lyrics, then jangly pop with insightfully inane lyrics. Everything they do, they do well.