Three of the bigger, “brighter” stars in the nü metal scrapheap, as well as also-rans their labels are trying to hype to the hilt to fool the foolable.
A grouchy reviewer might grumble that TKO’s latest sampler is mostly filler, but an astute music historian would point out it’s merely carrying on the legacy.
Lookout Records is now a shadow of its former self, while I’m listening to Enslaved and getting closer and closer to giving up on “pop-punk” altogether.