Hey, Killer is the most consistent Local H record since 2002’s Here Comes the Zoo and the band’s best since at least 2004’s Whatever Happened to P.J. Soles?
Canadian dark wavers The Birthday Massacre expertly walk the line between electro that’s moody and intriguing and electro that stumbles into cheesy territory.
I’m not one for acoustic heartbreak. Anything vaguely Dashboard Confessional-like and I’m running for the exit, but UK indie rockers Moose Blood got me with “Cherry.”
Good to Die has been putting out dirty, heavy and straight-up “authentic” sounding rock and metal for a few years, and this 14-song comp is a great sampler.
Since I’ve already reviewed two-thirds of full-length Indie Cindy through EP-1 and EP-2, I don’t feel the need to rehash those songs. The new ones are not even as good as the high points of those two EPs.
Classic old school punk with a strong Bad Religion vibe. Considering The Generators have a 15+ year history, it’s no surprise that they create perfectly formed, impeccably molded songs like the ones on Life Gives, Life Takes, their 10th album.