The songs blur together into a swirl of distortion, throat-shredding vocals, and machine-gunning double bass drumming, but that’s certainly not a bad thing.
An hour of sweeping, dark music, from the creepy atmospheres of drummer Renske’s rich, Gothy vocals to the harder, deeper roar of Opeth’s Mikael Akerfeldt.
They make Minor Threat sound like The Mentors. And, unlike Minor Threat (but so like the majority of NYHC bands), they have no sense of humor what…so…ever.