Punk/Power Pop Review – Page 145

Recent

[ March 30, 2026 ] Prepare The Ground Festival Reveals Full Lineup – News News
[ March 29, 2026 ] Social Distortion – Born to Kill – Music Stream Bands
[ March 28, 2026 ] Black Veil Brides Announce Vindicate and 2026 Tour Dates – News News
[ March 27, 2026 ] Great American Ghost Release digital-only, deluxe album + 2026 Tour Dates – News News
[ March 26, 2026 ] Deicide Announce 2026 North American Tour Dates – News News
[ March 25, 2026 ] Exhorder Announces Spring 2026 US Tour with Skinlab – News News
[ March 24, 2026 ] Helloween Embark on 40th Anniversary North American Tour 2026 – News News
[ March 23, 2026 ] Teenage Bottlerocket release The Invisible Man and 2026 Tour Dates – News News
[ March 22, 2026 ] Descendents Reclaim Enjoy! Album via Org Music – News News
[ March 21, 2026 ] Tomahawk Announce First Live Shows Since 2013 – News News

The Slackers – Better Late Than Never – Review

September 1, 1996

The Slackers’ first full-length features members of Skinnerbox NYC and Stubborn All-Stars, or I should say, the other bands feature members of The Slackers.

The Royal Crowns – Fireball Stomp – Review

September 1, 1996

This new vinyl from The Royal Crowns is a slick-fueled ass-shaker full of trademark Kendall lyrics and drag race riffs to burn down any rockabilly house party.

The Queers – Bubblegum Dreams – Review

September 1, 1996

Releases like Bubblegum Dreams that have earned the Queers the privilege of recording an inordinate number of Beach Boys cover tunes.

The Last – Gin And Innuendos – Review

September 1, 1996

A solid potion of powerpop, raw chords, and pure attitude, complete with the eloquence to sing their point, and with enough hooks to make you listen.

The Joykiller – Static – Review

September 1, 1996

Joykiller (fronted by Jack Grisham, formerly of T.S.O.L) plays infectious, melodic punk rock, and it’s pretty darn good stuff. With keyboards.

The Jimmies – It’s A Split! The Bittersweet Series Vol. 1 – Review

September 1, 1996

Slower tempo Screeching Weasel-type sound (sorry, inevitable comparison), though the singer sure, uh… enunciates better than Ben Weasel ever could.

The Goons – Bad Excuse – Review

September 1, 1996

I believe The Who claimed that the kids were alright. If that means rip-roarin’ basement punk, the kids in The Goons are alright, and then some.

The Gain – The Gain / Scared of Chaka split – Review

September 1, 1996

The Gain are a real Los Angeles punk band, with more in common with Dangerhouse bands circa ’79-’81 (Weirdos, Deadbeats, etc.) than most current L.A. bands.

The Fondled – Hey Hey We’re – Review

September 1, 1996

They sing and play their instruments with the carefree attitude of little children who know they can’t play with precision and couldn’t care less.

The Fags – No Fleas Lunch Money and Gold Teeth – Review

September 1, 1996

They can’t play, they don’t know how to tune, the singer can’t sing, and the production is rather erratic and sloppy – I love it!

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