Reviews – Page 238 – Lollipop Magazine

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Absurd Minds – Noumenon – Review

January 1, 2006

In the fertile middleground between synthpop and EBM. They don’t stray into the harsh, over-distorted rage of some EBM, they don’t overdo the anthemic drama.

Witchery – Don’t Fear The Reaper – Review

January 1, 2006

A fraction of the metal thrashing mad fun, and the humor is all but gone. Some evil thirds singing sweet Slayer, but the majority here seems played out.

The Loved Ones – Keep Your Heart – Review

January 1, 2006

East Coast punk rock, pure of spirit like Bouncing Souls, but with more consistent songs. A little gruff, but not all gargled glass or hard-living street punk.

The Last Vegas – Seal The Deal – Review

January 1, 2006

Part ’70s hard rock with wet production and layered choruses and stoner riffery, part punkified glam with way more wild-eyed bottle throwing than I remember.

The Hellacopters – Rock and Roll is Dead – Review

January 1, 2006

They write originals that sounds like the kinda stuff you’ve heard all yer life. It’s solid, like hearing the Stones when they were still vital and pure.

Stoner Kings – Fuck The World – Review

January 1, 2006

Brimstone Blues was surprisingly glammy for stoner rock, but tuneful. Fuck The World has a chip on its shoulder. It’s a heavy, snarling, pounding slab of metal.

The Sainte Catherines – Dancing For Decadence – Review

January 1, 2006

They’re from Montreal, this is their Fat debut. They’re scruffy and dirty, but they’re Greenpeace punk, not ignorant anti-whatever or wall-punching punk.

Riverboat Gamblers – To The Confusion of Our Enemies – Review

January 1, 2006

Pretty straight-forward chaos rock/punk rock. Dive bar rock, fueled by beer, whiskey, fast cars, and faster women.

Relic Rust – Relic Cuts The Intro – Review

January 1, 2006

Relic Rust, unsigned status and bad band name notwithstanding, have a lot of to offer. Even the ballad, “Hold On,” works. Ahem, for a ballad.

Red Animal War – Seven Year War – Review

January 1, 2006

It’s a collection, so it’s kinda disjointed and dated. Kinda thick, not overly polished, but raw and jagged and dense, if not altogether vocally accurate.

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