Reviews – Page 906 – Lollipop Magazine

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Scorn – Zander – Review

May 1, 1997

Zander can only be understood if one has taken into account Mick Harris’ past efforts, and his ceaseless quest to travel from one extreme to another.

Pigeonhed – The Full Sentence – Review

May 1, 1997

The gentlemen whip up several soul-funk concoctions and toss in some gospel-tinge and six-string sludge, but mostly, though, this throbs with sex electronica.

Panasonic – Kulma – Review

May 1, 1997

Some latecomers from Finland, Panasonic, came next, drawing out thin filaments of sound and laying them atop one another to writhe and squirm.

Orbit – Libido Speedway – Review

May 1, 1997

Orbit’s kinda poppy, but not sappy and sweet and earnest or anything. They’re sort of slick, but in a sleek way, not over-produced or anything.

One Hit Wonder – Outfall – Review

May 1, 1997

They pack the punk rock goods, layering the “whoa-whoa”s in the choruses, and snarling the melodies in a semi-gruff, yet still a radio-friendly voice.

Offside – Review

May 1, 1997

Boston Brit-pop. Offside is a four-piece of English/Irish expatriates hoping to take back a piece of their oldest colonies.

Nightstick – Blotter – Review

May 1, 1997

“I swear, man, my stereo must be fucked up. What is this?” “Maybe it’s on the wrong speed.” “It’s a CD, Keith.”

Nick Cave – The Boatman’s Call – Review

May 1, 1997

Cave’s love is far from wine and roses. He betrays the inescapability of his joy’s decay, undercutting an idyllic moment with “people just ain’t no good.”

Natacha Atlas – Diaspora – Review

May 1, 1997

Atlas, a bellydancer and singer for Transglobal Underground, exhibits a mixture of Dead Can Dance and The Orb on her solo album, Diaspora.

Mary Lou Lord – Martian Saints – Review

May 1, 1997

It opens with a full rock band. Instruments drop out until we’re left with simply Mary Lou singing and playing guitar. That’s when she’s at her best.

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