Signed to Epitaph from a burned demo when the band had been together all of two months. They played lots of Warped Tour dates. Thing is, they still suck.
Nine. That’s the number of producers on Decomposer. It helps emphasize their ability to seamlessly transfer from goofy and gross to soulful and serious.
The melodies are here, as are the frequent exchanges between clean and aggressive growl (totally laughable, by the way), and rocking yet totally safe guitars.
Built on a mound of rubble, a synergy of brawn and brut, all with the sting of a large vodka and soda, the precious metal(s) that they are, and totally rawk.
Comparing The Draft to Hot Water Music is a cowardly way to approach the album. Chris Wollard didn’t alter his songwriting just cuz he’s flying a new banner.
Total Chaos always sounded kinda metal for punk, in a good way. Hard-charging street punk, short on thinking, long on gruff vocals and spikes in the leather.
Refused Are Fucking Dead is a documentary in the vein of Meeting People is Easy, in that it’s not a “band DVD” but rather an outsider’s telling of the story.
Over two hours of music, capturing the three-guitar line-up over two nights at Hollywood Palladium. There are more hits here than a Barry Bonds steroid streak.