Fearless Records – Page 3 – Lollipop Magazine

Brazil – Dasein – Review

May 16, 2003

While Brazil is pretty obviously inspired by ATDI, it’s better than being yet another mop-top bunch of sissyboys inspired by knock-off Drive-Thru bands.

Don’t Be Scared – 2 – Review

April 18, 2003

Pop punk bands all with the same sound: Junction 18, Glasseater, and Dynamite Boy. New Fearless bands: Knockout, Rock Kills Kid, Brazil, and classic Big Wig.

Don’t Be Scared – It’s Only a Fearless Records Sampler – Review

April 19, 2002

Bit of the old, bit of the new. Some old-style poppunk, a bit of the new-style emopunk, a touch of shouting hardcore punk, and, um, At The Drive-In.

Glasseater – 7Yearsbadluck – Review

March 29, 2002

Glasseater are one of those not-very-good punk bands that copped a different, not-very-imaginative style (in this case hardcore yelling) and still sucks.

Bigwig – An Invitation to Tragedy – Review

March 22, 2002

Guitar riffs fly everywhere, drums speed up and slow down, the whole band stops and starts on a dime, and they even find time to give the bassist some.

Punk Goes Metal – Review

September 1, 2000

Punkers admit they liked glam metal (and some of the better stuff), and suddenly they feel compelled to cover it badly, like they do everything else.

Dynamite Boy – Finder’s Keepers – Review

April 1, 2000

It’s not bad at all; in fact it’s pretty catchy and very nicely sung (as well as produced). It’s just… not ’92 anymore.

Beefcake – Rejected – Review

April 1, 2000

Fans of Guttermouth and The Vandals who’re looking for a younger band to be kind of offensive, fast, snotty and, well, punk, should check out Beefcake.

At The Drive-In – Vaya – Review

January 1, 2000

Picking up where the the heart-wrenching aspects of their last effort left off, Vaya takes the band’s trademark weird vocal lines and amplifies them ten-fold.

Lonely Kings – What If? – Review

January 1, 2000

Heavy without being overwhelming, attentive to atmosphere and breathing room, and with a nice driving beat. Then, Oops!, the rest of the song comes in. Bland.