Fearless Records – Page 4 – Lollipop Magazine

Lonely Kings – What If? – Review

January 1, 2000

Heavy without being overwhelming, attentive to atmosphere and breathing room, and with a nice driving beat. Then, Oops!, the rest of the song comes in. Bland.

Serial Killer Comp. – Review

September 1, 1999

With a sexy cover and a collection of 28 punkpop/powerpop/balls-out rock’n’roll faves and newbies totaling over 70 minutes – How can you resist?

Bickley – Kiss the Bunny – Review

April 1, 1999

Thank the god of chaos for super-destructo bands like The Vindictives, Dayglo Abortions, Lummox, and newcomers like Migraines and Bickley.

Gob – How Far Shallow Takes You – Review

April 1, 1999

Gob are fast, Canadian melodic punk with heavier-sounding guitars than your average teddy and lyric sheets are provided for those into that sorta thing.

At The Drive-In – In/Casino/Out – Review

January 1, 1999

At The Drive-In combines the anger of post-hardcore, the melodies of emo, and the chord structures of Sonic Youth to produce a truly unique sound.

30 Foot Fall – Divided We Stand – Review

November 1, 1998

A re-release of 30footFALL’s first full-length. Their second (I think) release, Acme-143, also on Fearless, is much more polished, tightened, and versatile.

Bickley – Pogo Au Go-Go – Review

November 1, 1998

Bickley is a manic, group-shouting, junk rock band ranting about TV, teen porn stars, beer, peeing, and butt-sniffin’ clowns.

Chuck – Westward Ho! – Review

December 1, 1997

Chuck serve it up quick, tasty, meaty, and, like practically everything else out there, it’s produced by Ryan Greene.

Big Wig – unMerry Melodies – Review

July 1, 1997

Straight outta Jersey, Big Wig has that much sought after NOFX/Fat Wreck Chords sound and style. They sound as energetic and fun as the Bouncing Souls do live.

30 Foot Fall – Acme-143 – Review

July 1, 1997

“Feel Like Morrissey” is obviously worth checking out, complete with clap track, a whistling organ riff, and a vocal snarl Ben Weasel’d appreciate.