Jon Sarre – Page 6 – Lollipop Magazine

Mick Farren and the Deviants – On Your Knees, Earthlings!!! 1967-2001 – Review

February 22, 2002

Beefheartean dada babble shot thru with white boy garageshock blues accompanied by Wayner Kramer, Phil Taylor, Mark Ramone, Chrissie Hynde, and more.

House Of Large Sizes – Idiots Out Wandering Around – Review

February 22, 2002

It’s got their cuddly mathrock cum pop sensibility crossed with rockout hairfly sans irony jive on cold metal.

The Stratford 4 – The Revolt Against Tired Noises – Review

February 22, 2002

I think there’re people out there like The Strokes who do it okay (short songs), but they get irritating in doses greater than a few songs.

Tight Bro’s From Way Back When – Lend You a Hand – Review

February 22, 2002

Part Candy Snatchers, part Scared of Chaka, outta breath like Tight Bro’s From Way Back When a Couple Years Now Fireballs of Freedom…

The Sights – Are You Green? – Review

February 22, 2002

The songs sorta have a Brit-influenced ’60s-something deal goin’ on, almost like The Makers, sans those fancy dressers fancy dresses.

Holly Golightly – Singles Round-Up – Review

February 22, 2002

Holly Golightly doesn’t really do it for me, tho’ she understands where she wants to go with the fuggin’ stuff, it’s just sorta like a big messa cold spaghetti.

NRA – New Recovery – Review

February 22, 2002

Most of the songs sound similar, over-amped “traditional” three-chord punk rock, mebbe hopping into the way-too-big boots of Naked Raygun.

Gore Gore Girls – Strange Girls – Review

February 22, 2002

Gore Gore Girls even sound more teasey than pissed, which is a welcome thing since most all female bands that rock only wanna sound angry.

White Stripes – White Blood Cells – Review

February 22, 2002

My pre-conceived notions developed from apathetic listenings of the first two White Stripes records were fucking blown to smithereens when I saw ’em live.

The Screws – Shake Your Monkey – Review

February 22, 2002

Mick Collins’n’the lovely’n’talented Terri Wahl pull a Detroit Cobras or pre-Mr. Downchild ’68 Comeback an’ record a whole record of other peoples’ songs.