Scott Deckman – Page 7 – Lollipop Magazine

Metallica – 72 Seasons – Review

August 17, 2023

On 11th proper studio record, James Hetfield is riffing like a mother on songs that run on too long. Nothing groundbreaking, but there’s crunch-crunch aplenty.

Taipei Houston – As the Sun Sets – Music Stream

August 8, 2023

Everyone who pays attention to heavy rock knows the duo as Lars Ulrich’s kids, but these little shits eschew metal pretension for Jack White Stollsteimer basics.

Starflyer 59 – Vanity – Review

November 7, 2021

Vanity is Starflyer 59’s 16th full release, and it’s treading the same ground as the last four, except without a near-great tune like “Young in My Head.”

The Jesus and Mary Chain – Damage and Joy – Review

December 8, 2018

Damage and Joy combines the sneer and guitar barrage of the underrated, monochrome Munki with the somber acoustic trip of Stoned & Dethroned.

The Breeders – All Nerve – Review

December 6, 2018

Kim and Kelley Deal make difficult music. This is tough sledding at first – like much good and great music – but it’s interesting and at times, very good.

Dean Ween Group – The Deaner Album – Review

November 7, 2016

Mickey Melchiondo’s new offering, The Deaner Album, with his band the Dean Ween Group, sounds like, surprise, a Ween record.

Pixies – Head Carrier – Review

September 26, 2016

The Pixies 2.0’s second tilt, Head Carrier, picks up where the first one, Indie Cindy, left off; and like its predecessor, it’s a bit uneven.

Violent Femmes – We Can Do Anything – Review

May 13, 2016

Whatever Gordon Gano’s been doing to preserve that awful tenor of his should be patented. On last year’s EP, Happy New Year, he’s never sounded better.

Violent Femmes – Happy New Year – Review

May 6, 2015

The Violent Femmes return with EP Happy New Year, their first collection of new songs since the very underappreciated Freak Magnet, released in 2000.

Local H – Hey Killer – Review

April 10, 2015

Hey, Killer is the most consistent Local H record since 2002’s Here Comes the Zoo and the band’s best since at least 2004’s Whatever Happened to P.J. Soles?