Big Catholic Guilt – with Tree at Bill’s Bar – Review June 1, 1993 Astride the Hell-gone-techno warhorse was the throat of the big, bald, and beautiful boogyman himself, Sam Jordan.
Big Catholic Guilt – Judgement – Review June 1, 1993 The sheer strength of Jordan’s distorted ravings are just shy of terrifying. The lyrics are personal, observant, and angrily poetic.
Definition FX – Light Speed Collision – Review June 1, 1993 With a driving, undeniable beat, chugging guitar, and keyboards skipping and tripping about, the energy flows and feels good.
Knockdown – Will To Live – Review June 1, 1993 Knockdown is a Marlboro/Northboro based straight-edge hardcore band.
Mocha Java – Review June 1, 1993 Their tasty blend of blues, jazz, funk, bluegrass, and folk (not to mention a dash of psychedelia) is a delicious switch from our regular brand.
Riot Act – Review June 1, 1993 Like a tightly-clenched fist, it twitches and waits for its time. The wound-up and tightly-packed energy source is soon to be released with a smirk.
Slowpoke – Review June 1, 1993 With all the talent and experience behind each band member in the Western MA grunge/funk band, there is little doubt that they’ll be successful.
The Cinch – Review June 1, 1993 The Cinch, formerly Livewire (and no, they were never a Mötley Crüe cover band!), is essentially a be-bop party band.
Velvet Voodoo Dolls – Review June 1, 1993 The six songs on their pre-release range from solid, driving blues jams, to soulful, hard-edged grit rock, to some seriously giddy, groovy frolics.
700 Miles – Review June 1, 1993 From melodious, street-level sub-pop grit to hard-edged acoustic R.E.M.ish semi-folk to alternative blues jams with twangy harmonies and congos… congos?!