Indie/Alternative Review – Page 231

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Rose Chronicles – Happily Ever After – Review

February 1, 1997

Ethereal and enchanting, the Rose Chronicles’ Kristy Thirsk lays her smooth-as-silk vocals over the sleepwalking guitars of Richard Maranda.

Pernice Brothers – “Jimmy Coma” / “Monkey Suit” – Review

February 1, 1997

The Pernice Brothers play lazy jangle pop, like a hybrid of Scud Mountain Boys and Beck fighting his way through a Xanax stupor.

Oneiroid Psychosis – Fantasies About Illness – Review

February 1, 1997

The soundscapes do drag on at times, but it’s not a tedious drone. If you want angst played by guys with 1800’s medical fetishes, this is the disc for you.

Red Red Meat – “There’s a Star Above the Manger Tonight” – Review

February 1, 1997

Side One, “There’s a Star Above the Manger Tonight,” is a low key banjo fest with unintelligible slacker vocals.

Moistboyz – Moistboyz II – Review

February 1, 1997

Whitey puts on his Al Jolson act and kicks it, but substitutes the funk for Biohazardcore and Beastie-thrash and the raps go on about lawn-jobs and drugs.

Meliah Rage – Death Valley Dream – Review

February 1, 1997

Ever get nostalgic about mid-’80s thrash like early Testament and Nuclear Assault? Gosh, I sure do.

Vernon Reid – Mistaken Identity – Review

December 1, 1996

Reid’s been through a lot, what with his flirtation with New York No Wave and a salacious funk affair with Living Colour. This disc blends the two.

Dm Bob and the Deficits – Bad With Wimen – Review

December 1, 1996

As always, the thrill is in the very act of playing, not in the little details like “tuning” or “technique.” Roots-rock/country with a careless attitude.

Club Chipmunk – The Dance Mixes – Review

December 1, 1996

Without the versitility of a well-skilled band like “Weird Al”‘s, the Chipmunks’ charm is best appreciated in small doses over long periods of time.

Chrome – Chrome Box – Review

December 1, 1996

Chrome combined the motion of the rock backbeat with an otherworldly array of treatments and effects to make a noise that bridged psychedelia and industrial.

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