Reviews – Page 837 – Lollipop Magazine

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Tedio Boys – Outer Space Shit – Review

March 1, 1998

They can run off surf, sci-fi b-movie soundtracks, Desperate Rock’n’Roll, tex mex, etc, but their songs sound like a buncha covers.

The Gathering – Nighttime Birds – Review

March 1, 1998

The Gathering create beautiful music: Uplifting without being hokey, intelligent without being pretentious, melodic without being confectionery.

Swoon 23 – The Legendary Ether Pony – Review

March 1, 1998

Drone, distortion, candy coated female vocals, throaty male vocals, swirling shoegazing syrupy goodness.

Sweetie – Dried Fly’s Blood – Review

March 1, 1998

With Rob Zamarki’s crooning and bullhorn shouts, and Emily Unverferht’s icy angel-turned-howling-banshee wails, Sweetie confuse as much as they entertain.

Supersonic – Wall to Wall Moustache – Review

March 1, 1998

Wall to Wall Moustache is a wall-thumping breakbeat monster. The inevitable Chemical Brothers and Crystal Method comparisons must be made.

Superchunk – Indoor Living – Review

March 1, 1998

McCaughan’s slightly falsetto, river-of-angst vocals communicate suburban teen melancholy through a long, slow, dissonant wash reminiscent of empty classrooms.

Society Burning – Tactiq – Review

March 1, 1998

Society Burning isn’t a full band, but somehow all the keyboards and drum loops sound pretty much the same – monotonous and rather lame.

Snuka – Snuka Bloody Snuka – Review

March 1, 1998

Chloe Sweeney stomps and slithers all over the songs like bitch-in-a-bad-mood, spitting venom on everything and everything she comes into contact with.

Skrew – Angel Seed XXIII – Review

March 1, 1998

Building from the ground up as a heavy band with a deep-rooted techno fetish, Skrew has remained true to their twisted roots.

Skinlab – Bound, Gagged and Blindfolded – Review

March 1, 1998

Combines the moodiness of Neurosis with the guttural roar and technical ability of Machine Head and Sepultura.

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