Fearless Records – Page 2 – Lollipop Magazine

Classic Case – Losing At Life – Review

January 1, 2007

Odd mix of groove metal and delicate, sensitive guy vocals that 16 year old girls will like, but not ballsy enough to win over any U2, Coldplay, or Muse fans.

A Static Lullaby – Review

September 1, 2006

Since 2001, A Static Lullaby has been screaming, emoting, harmonizing, noodling, and pounding.

Plain White T’s – Hey There Delilah – Review

June 1, 2006

A new version of their “break-thru hit” “Hey There Delilah,” a live version later, and four new songs, recorded and produced by Sean O’Keefe.

Bigwig – Reclamation – Review

January 1, 2006

Classic mid-’90s fast punk from Jersey. Fans of NOFX and Strung Out’ll remember them. Fourth studio album. More political and socially biting than I remember.

At The Drive-In – This Station Is Non-Operational – Review

October 21, 2005

As a retrospective, This Station Is Non-Operational decently chronicles the band’s growth from nascent emocore to writhing, salsa-infested post-punk hybrid.

Plain White T’s – All That We Needed – Review

June 13, 2005

Nothing original here. All of the songs rhyme a lot, and the vocals cling to the drum beat. They top off with “Hey There Delilah” to show their sensitive side.

Gatsby’s American Dream – Volcano – Review

June 7, 2005

Trendy keyboard, a dash of metal chug, layered harmonies. Wait, here’s where they rock out, there’s the droning breakdown, and yes, they close with the ballad.

Brazil – Dasein – Review

May 16, 2003

While Brazil is pretty obviously inspired by ATDI, it’s better than being yet another mop-top bunch of sissyboys inspired by knock-off Drive-Thru bands.

Don’t Be Scared – 2 – Review

April 18, 2003

Pop punk bands all with the same sound: Junction 18, Glasseater, and Dynamite Boy. New Fearless bands: Knockout, Rock Kills Kid, Brazil, and classic Big Wig.

Don’t Be Scared – It’s Only a Fearless Records Sampler – Review

April 19, 2002

Bit of the old, bit of the new. Some old-style poppunk, a bit of the new-style emopunk, a touch of shouting hardcore punk, and, um, At The Drive-In.