KMFDM does what they do best: Kick-ass metal with electro beats and synths. We haven’t seen a KMFDM album quite like this since 1993’s ANGST or 1997’s SYMBOLS.
Full-on techno versions of Halen’s greatest blood-grain alcohollers. At least the label slaps on a famous second-string hair vocalist to each abortion.
KMFDM’s 10th and final album is a fine farewell to a band that created and defined a style called “hard electronic dance music.” Like I need to tell you that.
Everything is seamlessly edited together with plenty of jump cuts. KMFDM fans will still be fans, although Blackman enthusiasts will have to look elsewhere.
Ten bands ranging from the industrimetal of KMFDM and Fear Factory to the Gothic of Miranda Sex Garden and the orchestral stuff of composer Trevor Jones.