After jaw-dropping work by Dog Fashion Disco/Polkadot Cadaver, Jim Thirlwells’ Foetus projects, and Tod A.’s Cop Shoot Cop/Firewater, this is rudimentary.
“Chris recorded this song in March 2016 at Henson Studios. While he was working on his own album, he was teaching his daughter Toni how to play ‘Patience.'”
Randy Newman’s bouncy piano work and raspy, optimistic female vocals feel like the first sip of coffee in the morning or a cool breeze coming across the park.
The sound is ’70s enough, the vocal snarl is acceptable, and the sing-song “no more pencils” is delightful, but there’s really nothing new brought to the song.
“Fucking Hate You” shows the chaos of the band’s live shows, but the cohesion of a band – new singer notwithstanding – who’ve played for 20+ years together.
The music industry illuminati declared The Brian Jonestown Massacre – and their supposed mad genius frontman Anton Newcombe – to be rock’s great saviors.
With last year’s release, there are now more Ihsahn solo records than there were Emperor records, so I think it’s safe to say the former Emperor frontman is committed to this new life of relentless experimentation.
Able to write catchy choruses most pop metal and pop punk bands would kill for, Ronnie Radke writes trite lyrics he believes so earnestly, it’s embarrassing.
Two sets of three King Crimson alum and using the “double trio,” The Crimson ProjeKCt is a suitably ambitious offshoot from the legendary prog masters.
Like loads of good-but-indistinguishable pop punk bands of the late ’90s, they have heart and skills, but haven’t found their unique voice by their 2nd album.