When I saw Raphael opening for Vanessa Paradis in concert two years ago, he rocked. His debut album, Hôtel de l’univers, also rocked. His sophomore effort, La réalité, however, does anything but rock.
I interview rock guys two, three times a week. I use voice recognition software to transcribe these interviews. It doesn’t always come out as planned though.
I interview rock guys two, three times a week. I use voice recognition software to transcribe these interviews. It doesn’t always come out as planned though.
As a highly-compensated taker of the national pulse, I decided to let rip a page out of the New York Times playbook, it being an icon of news journalism, and retained the services of an unkempt, boorish, flatulent but capable and unpaid intern.
A seductive mix of folk, pop, piano, and electronica, it’s probably the one contemporary French pop disc to be released this year that the late Serge Gainsbourg would have appreciated.
This is one seedy film. The style has real grunge to it, and the images and sounds are literally splashed out. This is the kind of film that sticks with you for a few days no matter how hard you scrub.
I interview rock guys two, three times a week. I use voice recognition software to transcribe these interviews. It doesn’t always come out as planned though.
I interview rock guys two, three times a week. I use voice recognition software to transcribe these interviews. It doesn’t always come out as planned though.