The cynical yet sentimental remarks flow effortlessly from one singer to another, as chiseled chords and so-natural-it’s-gotta-be-magic melodies spring forth.
The production’s killer, the singing’s articulate, the emotions are well-balanced, the melodrama is turned down, and the instrumental dynamics are thought out.
The subtle violence of Muse, which reminds me of the early Radiohead material that soared dizzily and plummeted sickeningly, leaving you spent and amazed.
Holly Golightly doesn’t really do it for me, tho’ she understands where she wants to go with the fuggin’ stuff, it’s just sorta like a big messa cold spaghetti.
Leroy’s rich voice and funky stylings are very accessible, and have probably crept up on you. “Good Time” is the theme song for Denis Leary’s sitcom, The Job.