Taking an early ’90s techno sound and wrapping it up in industrial, pop/Goth shouldn’t work – but Hexedrene have this damn good album to prove that it can.
Take Death In June and extract all the Nazi crap, add genuine romance to the songs, along with a female singer who can carry that mood, and you get Duality.
This is mostly remixes, so I can dismiss the mediocre material as b-sides that should’ve never seen the light of day. Oh yeah, they cover “Shout at the Devil.”
Industrial that borrows from old NYC hardcore bands rather than bad metal, they prefer to leave the ambiguities alone and concentrate on writing songs.