There is a Radiohead vibe here, full of melodrama, but the sounds: synths, guitar, cymbals, and simulated horns are strangely soothing, but also evocative…
This cover of Kelly Clarkson’s hit opens with flashbacks to The Cars, Local H, and Fountains of Wayne. When Vaden Lewis’ vox appears, you know it’s the Toadies.
“Atomic City” is a leisurely pop thing, and it does bounce like post-2000 indie rock. The Edge’s guitar lines sound a bit different than what we’re used to.
Blackened vocals ride boldly atop flutter-picked guitar and rampaging drums. The Northwest US has produced another metal gem, with brutal but clear production.