Lollipop Magazine

April 1, 1998

Mick Harris has long surpassed his Napalm Death days, going so far as to say “All rock is shit. I’m not interested in it. It’s stagnant.” So. Now?

April 1, 1998

Another live band trying to slip into the warm-up suit of the mellowed-out raver. Good songs, mixing up some REM/Smiths vocals.

April 1, 1998

Frontier creates slow bass grooves with tight, crisp drums plopped into a swirling mass of ambient feedback and pedal effects.

April 1, 1998

The guy’s nuts. Literally. That said, the album isn’t great. Certainly has an individual style, but so does most insanity.

April 1, 1998

All the tracks have a laid-back feel, the groove nestled deep in the pocket, lyrics (where applicable) whispered and lazily rhythmic.

April 1, 1998

It’s danceable, it’s listenable, and he’s friends with the Dust Brothers. Not the best, but one to pick up anyway.

April 1, 1998

Jazzy breaks, mellow beats, a DJ for the senses. Lots of space in this one, hypnotizing repetitions and mesmerizing melodies. Light one up, relax.

March 1, 1998

Wall to Wall Moustache is a wall-thumping breakbeat monster. The inevitable Chemical Brothers and Crystal Method comparisons must be made.

March 1, 1998

Their self-titled album on Mutiny is laid-back, female-vocaled, easygoing and full of percussive keyboards, maybe the occasional Rhodes Piano.

March 1, 1998

Experimental ambient creations between two groups of experimental ambiance creators. Did that sound redundant? So does the album.