“Hit and Run” adheres to the power-poppy side of glam, sounding more like Enuff Z’nuff than dirtball Mötley Crüe or nasty, Appetite…-era Guns N’ Roses.
Buzz Osborne and Gavin Rossdale will never have a lovechild, thankfully, but one interesting outcome might have sounded like East London’s False Heads.
Frank Black Francis can still write a weird, affecting tune. It’s folky, ethereal, and probably the best offering from new record, The Night the Zombies Came.
“The Future” was the first of three singles released ahead of Superdrag singer John Davis’ new solo record, JINX. The shoegaze element beats out the pop.
Reminiscent of souped-up Supergrass or the Damned at their fastest. Sped-up ’70s punk with raging guitars, high-pitched vocals, and a call-and-response chorus.